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CD 1
1. Toccata in D Minor, BuxWV 155 2. Durch Adams Fall ist ganz verdebt, BuxWV 183 3. Praeludium in G minor, BuxWV 150 4. Herzlich tut mich verlangen, BWV 727 5. Praeludium in F-sharp minor, BuxWV 146 6. Erbarm dich mein, O Herre Gott, BWV 721 7. Herr Jesu Christ, ich weiß gar wohl, BuxWV 193 8. Magnificat IX. Toni (2 verses), BuxWV 205 9. Fuga sopra il Magnificat, BWV 733 10. Von Gott will ich nicht lassen, BuxWV 220 11. Von Gott will ich nicht lassen, BuxWV 221 12. Fuga in G, BuxWV 175 13. Komm, heiliger Geist, Herre Gott, BuxWV 199 14. Fantasia in G minor, BWV 542.1
CD 2
1. Ciacona in E minor, BuxWV 1602. Canzonetta in E minor, BuxWV 1693. Wie schön leuchtet der Morgenstern, BuxWV 2234. Ciacona in C minor, BuxWV 1595. Praeludium in C, BuxWV 1376. Herr Jesu Christ, dich zu uns wend, BWV 7097. Herr Jesu Christ, dich zu uns wend, BWV 7268. Passacaglia in D minor, BuxWV 1619. Praeludium in G minor, BuxWV 14810. Herr Christ, der einig Gottes Sohn, BuxWV 19211. Praeludium in G minor, BuxWV 14912. Fuga in C, BuxWV 17413. Passacaglia in C Minor, BWV 582
'...enormous admiration for the beauties of this handsome 2006 instrument by the Danish firm of Carsten Lund...Andrew Arthur, Director of Music at Trinity Hall, brings expertise and scholarship to this repertoire. Well-selected pieces and colourful registration present the Dane in most sympathetic light - a comprehensive tour of the organ's resources into the bargain...Ever thought-provoking. Bravo!' Organists' Review
'This new, beautifully crafted small organ provides some lovely sounds, particularly the flutes, and Andrew Arthur exploits every available combination from the 20 stops...He plays this cleverly devised programme with musicality and an excellent understanding of the music...this recording should be of interest to many...' Choir & Organ
'...a good understanding of period performance style and technique. Bach's Fantasia in G minor and the Bach Passacaglia are given particularly fine performances, showing just what a smallish organ is capable of when played well.' Early Music Review
'Andrew Arthur is active in numerous musical endeavors as a keyboard player and conductor. His breadth of experience and musicianship is evident in these performances. His playing is energetic and strong, with clear, pronounced articulation that is flexible, expressive, and improvisatory where appropriate. His imaginative registrations are musically appropriate, often using a single stop or small combination, giving an air of intimacy. This is a fascinating, meticulously presented study of the cross pollination of two great musical minds.' The American Organist '...scrupulously considered performances...' BBC Music Magazine 'a fascinating and delightful pair of discs' MusicWeb-International '...spectacular...a quieter instrument than is usual with Bach and Buxtehude, but the clarity of the lines, thanks in part to intelligent registrations by organist Andrew Arthur, is unmatched. Many lovers of Baroque organ music will want to have this recording simply beacuse it sounds so different to the norm, and because it reveals both intricacies of counterpoint and small details of ornamentation.' All Music
'This new, beautifully crafted small organ provides some lovely sounds, particularly the flutes, and Andrew Arthur exploits every available combination from the 20 stops...He plays this cleverly devised programme with musicality and an excellent understanding of the music...this recording should be of interest to many...' Choir & Organ
'...a good understanding of period performance style and technique. Bach's Fantasia in G minor and the Bach Passacaglia are given particularly fine performances, showing just what a smallish organ is capable of when played well.' Early Music Review
'Andrew Arthur is active in numerous musical endeavors as a keyboard player and conductor. His breadth of experience and musicianship is evident in these performances. His playing is energetic and strong, with clear, pronounced articulation that is flexible, expressive, and improvisatory where appropriate. His imaginative registrations are musically appropriate, often using a single stop or small combination, giving an air of intimacy. This is a fascinating, meticulously presented study of the cross pollination of two great musical minds.' The American Organist '...scrupulously considered performances...' BBC Music Magazine 'a fascinating and delightful pair of discs' MusicWeb-International '...spectacular...a quieter instrument than is usual with Bach and Buxtehude, but the clarity of the lines, thanks in part to intelligent registrations by organist Andrew Arthur, is unmatched. Many lovers of Baroque organ music will want to have this recording simply beacuse it sounds so different to the norm, and because it reveals both intricacies of counterpoint and small details of ornamentation.' All Music